Like last year, the awarded works in the 14th Japan Media Arts Festival included many historical sagas. Some critics argue that "the great fiction" has been long lost, but isn't it possible that the evolution of human history and deeds are filled with more dynamism and adventure than pure fiction? Furthermore, calling historical facts into doubt is not a taboo anymore, and it is a known fact that policymakers distort history at their own convenience. In fact, manga itself owes its existence to invention and twisting of facts. In other words, the fun of interpretation is the main weapon of the manga art. The positive recognition of such subjective and challenging acts of creation is probably appropriate for the Japan Media Arts Festival.
In that sense, I felt that manga in new types of media, such as the Internet and mobile phones, is still in the trial-and-error stage. It cannot fully utilize the advantages of interactivity yet. The persistence and creative thinking of artists that stick to print media for their independent works were much more amusing and filled with promise.
Born in Tokyo, 1963. HOSOGAYA Atsushi graduated from the School of Letters, Arts and Sciences, Waseda University, and was a member of the Manga Kenkyukai (Manga society). Currently he is an associate professor in the Department of Manga of the Faculty of Arts at Tokyo Polytechnic University. He is also a manga researcher, and as a curator at Kawasaki City Museum, he has organized many manga exhibitions. He is a board member of the Japan Society for Studies in Cartoon and Comics. Books he has written or edited include "Nihon Manga wo Shirutame No Book Guide" (A Guide to Books on Japanese Manga, Asian Manga Summit Japan Executive Committee) and" Asian MANGA Summit" (Kodomo no Miraisha). He is on the selection committee for the TEZUKA Osamu Cultural Prize and the Yomiuri International Cartoon Contest. He is very knowledgeable about comics and cartoons from around the world.
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