During the nearly two years that have passed since the Great East Japan Earthquake, numerous art exhibitions and performances have been held on themes related to the disaster. We saw some superb disaster inspired works submitted by Japanese artists to this festival. Organizing their emotions and sublimating them according to their own unique methodologies, these artists have created a rich tapestry of valuable testimony through a diversity of media.
Performance works were selected for the Grand Prize and New Face Award, but there were many other non prizewinners in other categories that were just as fascinating, particularly those focusing on physical behavior. The spread of social networking has sparked a renewed awareness, it seems clear, of our desire for time and space to share in the "here and now." In the graphic art and digital photography categories, works related to the recent disasters were particularly affecting, such as one that uses trees to express the radiation in the air of Fukushima, or the one by a young artist who layers paint upon images of post-tsunami rubble. The Excellence Award-winning film that simply played back the words of a seemingly homeless man against deadpan footage of a Russian airport transcended mere reportage to take a serious look at social issues. A New Face Award winner entered in the interactive art category proved to be a magnificent media installation that conveyed the diversity of visual experience. Most works of this genre, however, tend to require sophisticated technology and equipment, giving excessive weight to the cutting-edge hardware aspect of the work. I would like to see work that more clearly expresses the artists' worldview or philosophy, their thoughts on life or art.
Several excellent web-based works addressed the March 2011 disaster, among them the assemblage of videos by multiple contributors that won an Excellence Award, and a web project by contemporary music composers and per formers around the world in support of the stricken region. Such works moved me because they demonstrate the unique capacity of media to help us remember the past as well as to share the future.
Born in Tokyo, OKABE was Co-Curator of the Japanese Avant-Gardes 1910-1970 exhibition at the National Modern Art Museum of Georges Pompidou Center in Paris, 1986-87, and Lecturer on Non-Occidental Art History at École Supérieure des Beaux-Arts de Paris, 1993-95. She was a Professor of Art History and Museum Studies at Musashino Art University, 1999-2011, and a Visiting Scholar at New York University, 2006-07. She launched the Hanshin Art Project after the Hanshin- Awaji Ear thquake of 1995, as well as the Culture Power website for interaction with supporters of contemporary art. She is an advisor to the Shiseido Gallery. Her written works include Art Seed: Art Documentary Films on the Pompidou Center Collection (Libroport, 1993) and Art, Women, Image (Saikisha, 2003). She also directed the video Atsuko Tanaka: Another Gutai (1998).
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