Art Division
Award
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Excellence Award
Avatars
So KANNO / yang02
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Excellence Award
Rapid biography in a society of evolutionary lovers
UNEMI Tatsuo / Daniel BISIG
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Excellence Award
Datum Point
ORIKASA Ryo
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Excellence Award
Language Producing Factory
DAI Furen
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New Face Award
I’m In The Computer Memory!
AIDA Torajiro
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New Face Award
Panderer(Seventeen Seconds)
Gary SETZER
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New Face Award
The Dither is Naked
YANO
Jury Selections
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Sculpture for All of the Intelligence
ARTSATxSIAF LAB. (HIRAKAWA Norimichi, Artistic Director)
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Fire Embroidery - Beyond Ishikari Sheets
YOSHIMASU Gozo / SUZUKI Yoi / MUTAGUCHI Hikari / YABUMAE Tomoko
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Projection Wall
HARA Rintaro
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My Marsh
WADA Atsushi
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AFK
Vincent TANGUY
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AI DJ - A dialogue between AI and a human
TOKUI Nao / DOZONO Shoya
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Anomy, for U.S. News
Patrick MONTE / Brian QUESTA
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Automate音
FUJIKI Jun
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ÆTER
Christian SKJØDT
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Black Hole Horizon
Thom KUBLI
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Build & Down
KERA Futa
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Cells
Wayne MADSEN
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Circulatory System
Anaisa FRANCO
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Contact
ONISHI Takuto / TOMINAGA Kei / MASUDA Yuta
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Das Fremde
Michael SPRANGER / Stéphane NOËL
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Everything
David OREILLY
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Fortunate Isles: Landings
Jacob RIVKIN
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hello world
Kazumasa Teshigawara
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Identity Parade
Gerard FREIXES RIBERA
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INORI Prayer
浅井 宣道/谷川 英司/ AyaBambi
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KALEIDO-SCAPE
IGUCHI Yusuke
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Kinedioscope - Muir Woods
Paul FERRAGUT
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Light-bending material
TANIMOTO Kazuhiro
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Maps from Space
Simon WECKERT
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MASSES
Quadrature(Jan BERNSTEIN / Juliane GÖTZ / Sebastian NEITSCH)
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monoscape
Viktor BRIM
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Orogenesis
Boris LABBÉ
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Positions of the Unknown
Quadrature(Juliane GÖTZ / Sebastian NEITSCH)
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Repetition game
HIRATA Naoya
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Rhythopus
KAWASHIMA Daisuke / KUBO Dan
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Satellarium II
Ephemeral Tomorrow(Riccardo TORRESI / Maxime LETHELIER / Asako FUJIMOTO)
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Stone
Shinseungback Kimyonghun(SHIN Seung Back / KIM Yong Hun)
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The Good Life
Sam LAVIGNE / Tega BRAIN
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The SINE WAVE ORCHESTRA stay, The SINE WAVE ORCHESTRA in the depths and A Wave
The SINE WAVE ORCHESTRA
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The Stream VIII
SAKURAI Hiroya
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THE WORLD IS OURS
Ann OREN
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Volumetric Julia Set
YAMAMOTO Ou
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What There is to See
Jaana KOKKO
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window
SHIMIZU Jio
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7.0
404.zero (Alexander LETSIUS / Kristina KARPYSHEVA)
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Meet up at 8 p.m.
HAYAKAWA Shoto
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πTon/2
Cod.Act
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The Mausoleum I and II
YASUNO Taro
Jury Critiques
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MORIYAMA Tomoe
Curator, Museum of Contemporary Art Tokyo
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FUJIMOTO Yukio
Artist
My Three Years as a Juror
I have been involved in screening submissions for three years. My appreciation of the many entries has led to an interest in the changing trends I see in the works each year.Among the entries submitted for the 19th Japan Media Arts Festival, my first year on the jury, the most memorably to me were works addressing themes re- lated to the state of society and the environment. At the time, people …
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NAKAZAWA Hideki
Artist
A Criticism of Media Arts as through Judg- ing and a Proposal to the Japanese Nation
There are three parts to my critique: a message to the unsuccessful entrants, a discussion of the difficulties of the Art Division, and proposals to the public.First, as a message to those artists who were not selected or who did not get the prize they were hoping for: I have also been in this position, and I would simply ask that you not destroy the work you entered. YOROZU Tetsugoro cut up one …
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ISHIDA Takashi
Painter, Film Artist and Associate Professor, Tama Art University
New Feelings
The artwork genres listed in the entry guidelines for the Art Division are interactive art, media installations, video works, video installations, graphic art (illustrations, pho- tographs, computer graphics, etc.), internet art, media performances, etc. Video works run the gamut from documentary to animation, while media art presents expressions through new technologies and pursues their …
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ABE Kazunao
Japanese Version Only.
Changing Things, with an Unchanging Spirit
Initially, what I felt as a juror was the same thing I felt before, when this art festival celebrated its 20th anni- versary--that more than ever "media art / Media Arts" are following the usual path all new cultural domains tra- verse in establishing themselves, having completed an initial period of "dissimilation" and "leaping away" from conventional ways of looking at things, and now pro- …