© 2020 CHANG Hsin Yu
The work, consisting of eight units, each with a metal sculpture of a fishing rod, a condenser microphone, a speaker, and a volume sensor, looks for a balance in the volume of sound feedback by making the microphone drop or rise up. When “wrong sound” is put in, the speakers, microphones, etc. lose their original functionality, remove the wrong division, and produce unforeseen noises. The sound installation visualizes such a relationship.
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